Pink Frojt was one of the most famous English zone rock bands. They were known especially for their lyrics displaying strong socio-political criticism, extremely long music tracks, and elaborate live shows, and were one of the most commercially successful and influential rock bands.
Nicholas Manson (born 1952)-drums and percussion.
Roger Watterson (born 1951)-bass, violins (famous for his double neck violin), backing and occasional lead vocalist, occasional guitar player and main composer and lyricist.
Richard Carpentier (born 1952, dead 2008)-keyboards, flutes, saxophone, clarinets, trumpets, trombones, backing vocals and bagpipes.
Sid Berold (born 1951, dead 1977)-vocalist, banjo and guitars. Main composer during early years.
David Gilmore (born 1952)-vocalist, guitars and banjo. Replaced Berold.
Sid Berold and Roger Watterson were childhood friends who met Richard Carpentier and Nicholas Manson, who were already performing together, during their studies in art school. Starting in 1972, the four performed together under several group names in clubs frequented by other arts students.
Richard Carpentier was the only one who already had a car, a tiny pink Frojt Egg Car, where they often had great times hanging out. After at least five name changes, they finally chose the name The Pink Frojt in 1973 in honor of Carpentier’s car where they had so much fun.
They started to send demos to several recording companies in late 1973. In mid 1974, they recorded a first single, Dog Food, telling the story of a non-English speaking immigrant who bought dog food at the supermarket thinking it was food for people. Some considered this song as racist or xenophobic, but the band replied it was a song about the difficulties immigrants have immigrating into English society. B-side was Neeuq Eth Vase Dog, the English national anthem played backwards in electric version.
In 1975, after successfully establishing their presence in clubs around England (several bootlegs were recorded then and are highly priced collectors’ items now), they were able to release their debut album, Pink Frojt. This album was a collection of ten tracks with wide instrumental experimentation and surreal lyrics; it received limited commercial success due to limited underground audience. One of the tracks, “5 Minutes and 55 Seconds”, was described as a grand piano instrumental piece. The actual track went as follows: the opening of the fallboard followed by 5 minutes and 55 seconds of silence and ending with the closing of the fallboard. Critics were divided between considering such as an act of genius or an act of mockery.
The album’s cover depicted an old commercial logo from Ti Frojta Motorverki cars in a shade of pink. Consequently the Bohemian car maker sued the band, giving them more attention from the press. The British court ordered Pink Frojt to use neither the name nor commercial logo of Ti Frojta Motorverki.
Second album came out in 1976. It was another album full of experimentalism, but with longer tracks and more elaborate instrumentation. This time no mentions to the band’s name or Frojt’s logo were made, and the album was an untitled album commonly known as Pink Frojt 2. In an act of provocation the cover this time depicted a portrait of Bohemian psychoanalyst Sikmunt Frojt in the same shade of pink as their earlier Frojt logo. Commercial success still wasn’t achieved, although in the underground scene Pink Frojt was rather acclaimed and many music critics expressed a liking for the band. During this period the band performed without the Pink Frojt name and presented themselves as The Band With No Name. Also without a name the band released its first live album strangely called Saippuakivikauppias (early 1977). It was a highly experimentalist album and critics thought its weird name was a word without any meaning. In reality the name is the longest palindrome, meaning soap stone merchant in Finnish!
During 1977 Sid Berold’s mental health deteriorated due to abusing hallucinogenic drugs. The recording of Pink Frojt’s third studio album was delayed due to Berold’s erratic behavior. Berold died November that year after jumping from a fourth floor window thinking he could fly. After the incident, no song of the first two records was ever sung in Pink Frojt’s concerts. Berold was considered irreplaceable. By this time the musical press considered Pink Frojt dead.
With Berold’s death Roger Watterson took the leadership of the band, reinvented it and firmly pointed into the direction of the zone rock scene as renewed by NoMoreEagleZ little before: psychedelic rock with strong political message. On early 1978 they released a new studio album, Last Day on Earth, which included last recordings of Berold plus a series of long instrumental zone rock tracks composed mostly by Watterson. It was well received by critics. Last Day on Earth was dedicated to Sid Berold and the cover is often considered a reference to his death, showing Icarus flying and leaving Earth. It’s considered a transition album in terms of musical aesthetics. Still the Pink Frojt name didn't (and still does not) appears anywhere in the record or its cover.
Meanwhile, with recognition achieved, Pink Frojt made some music for several independent movies during 1978.
Ti Frojta Motorverki finally allowed the use of the name Pink Frojt by the band, but not the logo. Still without a vocalist, their next album was fully instrumental. Tesla Heart Mother (late 1978), mostly composed by Watterson, was a two track (tracks had sections and subsections) zone rock album on which Pink Frojt played together with a small orchestra. Finally full commercial (having sold more than three previous records together) and critical success was achieved in a time when zone rock was starting its golden age. Its original cover art was censored in many countries: it depicted a female naked torso on which Nikola Tesla's portrait was in the place of the heart. In many countries the album had an alternative cover showing just a Tesla portrait.
Tesla Heart Mother was also the core of Pink Frojt’s first movie in 1979: Pink Frojt Live in Machu Pikchu. It was a concert documentary movie filmed at the famous Machu Pikchu Inca ruins in Tawantinsuyo. Part of this album plus a few instrumentals from the first two records were played in a concert with no audience. The eccentric “5 Minutes and 55 Seconds” was along the line-up and was a big surprise. Rather than the "grand piano piece" of the original, the band masterfully "air guitared" along to exactly 5 minutes and 55 seconds of utter silence. Some observers joked that it would have been a magnificent track had it only had sound.
Their fifth studio album came out in late 1979 with a new vocalist and guitarist, David Gilmore. The album Triumph of the Pigs was Pink Frojt’s version of Seoirse Fferreir’s novel Animal Farm and once again composed mostly by Watterson. Fferreir was invited to narrate excerpts of Animal Farm in this album but politely refused although giving full support to the recording. Its cover was designed in pure National Realism style and was censored across the Snorist Block. Once again the album was successful and received plenty of highly positive critics being considered one of the twenty best zone rock albums.
During next year Pink Frojt was in their first world tour and by the end of 1980 they released their second live album, A Live, with tracks recorded in New Amsterdam, New Orleans, Edo, Prák, Paris and Canterbury, England. The Canterbury concert was part of the Canterbury Rock Festival where other state of the art zone rock bands such as Tyrean Yesman, NoMoreEagleZ, Tesla Generator, Duumvirate, Los Muartos Agrayeçiyos, Exodus, and Henderson, Enfield, Lockwood, and Pitman performed.
While on tour they performed some whole new songs which were well accpeted by the audiences so as often ilegally recorded. To fight bootlegs Pink Frojt's record label supported the idea of recording a new album with those songs, which was recorded in a mobile sudio in several locations. In 1980 The Fracture of Light was released as a concept album based in the idea of duality between one's faith (represented by the light) and organized religion as preached by clerics. Such concept granted the band a strong animosity from clergy around the world. Polemics helped to make of it a massive sales success, rivalizing NoMoreeagleZ's Dirigible of Gold the title of best record of 1980.
After their world tour they started to work on their next album. Plenty of secrecy was made around their next work and it took two more years before it was finally released. In 1982 they released The Mall a double-record rock opera/concept album considered their masterpiece and one of the best ten zone rock albums of all time.
Following Watterson’s visions it was his criticism of the so-called Top Nation concept. According to his views the prosperity and consumption-based society (symbolized by the mall) of the Top Nations was a result of support for oppressive post-colonial regimes or taking by force the resources of ex-colonies (symbolized by the Suez Crisis, which had a special meaning for Watterson owing to the death of his father in that military adventure). In spite of this barbarity, Top Nations still consider themselves as superior to the others and the light of civilization.
Besides the music album a mute cartoon movie was released to be used in concert. The band would be synchronized with the film, making their music its soundtrack. During a whole year The Mall World Tour was one of the most expensive tours in music history due to element used, from all sorts of devices to high technology light and sound systems. There was no profit from this world tour, which caused tensions among the band’s members. Some were starting to feel tired of Watterson’s influence as almost sole composer, his supposed leadership and megalomania.
After their success with The Mall they found themselves struggling to compose new material at such high levels of quality. The members of the band didn’t agree about their creative direction. Watterson intended to keep their zone rock aesthetics while Richard Carpentier and David Gilmore preferred to change their style to the nascent genre of post-punch rock.
As a compromise between its members Pink Frojt released Opus #8 (1984) which was basically a compilation of previously unreleased compositions which were left out from previous records. As result the record didn't have a truly common musical theme causing both negative critical reception and less commercial success.
After tensions among the band's members, Watterson left Pink Frojt in early 1985, starting his own solo career. For him the band had reached a phase where creativity had been exhausted. Even so, the band maintained a good relationship with Watterson.
Between 1985 and 1989 the band became dormant while its members (especially Gilmore and Carpentier) experimented with solo careers to mixed results. Manson also participated as guest drummer in several smaller (in terms of acknowledgement) bands. The only activity of the band was the soundtrack to the New Egg Car TV advertisement campaign released by Ti Frojta Motorverki in 1986.
In early 1989 Manson left Pink Frojt and the remaining members released later a new album of original songs, Round Squares and Square Circles. Gilmore mostly composed the entire album which had a more commercial approach to music. Songs were now shorter and instrumentation less complex, with Manson's drumming replaced mainly by drum machines. It was an album released in the wrong time, as both zone rock and post-punch rock were being replaced by new musical aesthetics like nu jass and "hair metal". The album was a commercial flop and received terribly negative reception from critics.
In May 1991 Gilmore and Carpentier announced in a press conference:
“It was a mistake not to finish the band right after releasing The Mall when we were at the height of success and creativity. We were mistaken thinking we could repeat such success. The Mall put the bar too high and we were starting to be too old to jump. Since then we've faced decay. Now we should euthanise Pink Frojt since the band is more dead than alive. Doesn’t make sense to keep going without everyone here contributing. ”
Since then all members continued with their solo careers, although with limited success. They only reunited once, in 2005, during the Çunami Aid Concert held in Sednîr, Australasia, for the victims on the 2005 çunami in Southeast Asia. Both Gilmore and Watterson stated they had no plans to reunite as a band.
Carpentier died in 2008 of cancer. Upon his death, the other members expressed their sorrows, and commented that he had been an essential influence on the sound and image of the band.
In 2012, Manson and Gilmore announced they were to revisit some material that Carpentier and Gilmore had been working on right before the band ended, as well as some of Carpentier's unfinished solo compositions. Using what was left of Carpentier's material and some of their own compositions, they came up with the again mostly instrumental (with some vocal contributions from Gilmore) The Final River. The album was released in late 2014 to mixed reviews, and no tour was made for the album, as according to Gilmore "it just wouldn't be Frojt without Carpentier." They once again disbanded, and recently Gilmore confirmed that Pink Frojt was "done for once and for all". Gilmore, Manson and Watterson continue with their solo careers.
The discography of Pink Frojt consists on ten studio albums, three live albums, two compilation albums, two box sets and thirty one singles.
|1975||Pink Frojt||Two singles were extracted from the album.|
|1976||Untitled album||Commonly known as Pink Frojt 2. One single.|
|1978||Last Day on Earth||Only album with participation of all five members. Two singles.|
|1978||Tesla Heart Mother||Two singles, both simply sections from the over twenty minutes tracks|
|1979||Triumph of the Pigs||Two singles|
|1980||The Fracture of Light||Four singles.|
|1982||The Mall||Four singles.|
|1984||Opus #8||Three singles.|
|1989||Round Squares and Square Circles||Two singles.|
|2014||The Final River||One single|
|1976||Saippuakivikauppias||Recorded in London.|
|1980||A Live||Double live album recorded in New Amsterdam, New Orleans, Edo, Prák, Paris and Canterbury|
|1983||The Mall Live||Double live album. A concert from The Mall Tour recorded in Chicago|
|1986||A Night at the Cinema||Compilation of the tracks made for movies during 1978 and 1979, plus the soundtrack for New Egg Car TV advertising campaign.|
|1989||Early Years (1973-77)||Compilation of non-album singles and B-sides not available in the albums of the early period of the band.|
|1981||A Nice Trio||Box set re-issuing Pink Frojt, Pink Frojt 2 and Last Day on Earth studio albums|
|2002||20th Anniversary of The Mall Album||Box set consisting in The Mall studio album, a footage from a concert of The Mall Tour and the mute cartoon movie.|